In Coralie Fargeat's new feminist horror flick The Substance, dangerous social beauty standards are actually the genuine monsters. They (women objectification, the disposal of "the old," the spreading of a sector built on physical body adjustment) feed a creature of a cycle that leads Demi Moore's fading television individuality character Elisabeth Sparkle to find an underground market treatment got in touch with The Substance that guarantees to produce her even more gorgeous. And also in doing this, she undertakes a creature-feature-like improvement herself.
The Substance is a monstrous process-- one including syringes, fluids, as well as Elisabeth's spine opening to childbirth a more youthful dual played through Margaret Qualley. Elisabeth and her equivalent, known as Sue, can easily certainly not be mindful simultaneously, so they each reside for a full week prior to shifting places, along with Sue taking away liquid coming from a gaping opening in Elisbeth's vertebrae to suffer herself. When Sue misuses The Substance, Elisabeth begins to age-- beginning along with one unnerving, shabby hands before spreading out in to creaky, Margaret Qualley in The Substance (2024) almost worthless branches; and when Elisabeth resist through binge-eating, Sue malfunctions a great deal so that she can easily draw chick wings out of her navel.
In doing this, the movie points (blog post) to the meticulously awful durations some will most likely to be prized as Margaret Qualley The Substance excellent. It's performed to a spine-tingling, life-like level that creates a physical body horror film for the ages.